7:30 p.m. / 19.30
Members: $10 • General Public: $15-20, no one turned away for lack of funds.
jeden vierten Samstag alle zwei Monate, Gerlind Institute
for Cultural Studies, Oakland.
Seating limited. Usually, on the fourth Saturday every other
month, we're screening a German, or German-related, film. We are showing
popular or little-known film gems (usually in German with English subtitles),
followed by a moderated discussion.
Reservierung oder weitere Informationen, email Marion
October 27, 2018 • 7:30 p.m.
The Young Karl Marx | Le Jeune Karl Marx 2018 | Raoul Peck RSVP by October 19, 2018
‘The movie begins with a text account of the industrial revolution’s creation of a working class called ‘the proletariat’ in Marxist thought. Then, in 1843 German, a Marxist parable, in which poor folk are slaughtered for the crime of collecting deadwood in a forest. 25-year-old Marx writes incendiary articles for the Rhineland News, and upon arrest, agrees to follow a wealthy patron, Arnold Ruge, to Paris to work on his post-Hegelian philosophy and stuff. The action moves to Manchester, England, and a sewing-thread factory owned by Friedrich Engels, Sr. Junior, his wide-eyed son, has no use for his father’s autocratic mien and mistreatment of workers, and one of the movie’s most audacious scenes in staging the meeting of young Engels and his future partner Mary Burns, a working class woman with then-radical ideas, as a kind of meet-cute on the father’s factory floor in the middle of a walkout. …
The movie does not put ideas at the forefront, but it does present ideas with a solidity that’s admirable. Peck’s co-screenwriters Pascal Bonitzer, a longtime collaborator of the late Jacques Rivette, and the two clearly know their stuff. The movie is largely a story of personalities. Karl is fiery, brilliant, disorganized, passionate. Engels is, despite his courage and curiosity, a bit more of a wide-eyed innocent and certainly a more organized person. Their female partners do take secondary roles, but the movie depicts them as committed, innovative, and acute: true fellow travelers and comrades. The actors portraying these figures are all exciting to watch. August Diehl (who played a German major in Inglourious Basterds) is a fiery, sardonic, likable Marx. Stefan Konarske is a sincere, appealing Engels. Krieps’ Jenny has more than a touch of slyness while Hannah Steele’s Mary is appropriately fiery and proud. French great Olivier Gourmet is droll as Proudhon.” (Roger Ebert)
(118 min, Director and writer: Raoul Peck, with Pascal Bonitzer. German, French and English with English subtitles)